04 Limited Sazabys awakened the power of FORIMI under the light of the moon. MOON tour 2025" tour final is completed.

The EP released by 04 Limited Sazabys for the first time in two and a half years is called "MOON," and since it is a powerful work that seems to incorporate the gravitational pull of the moon, I couldn't help but look forward to the tour, but no, I was overwhelmed by the power of the moon that filled me far beyond my expectations. The "MOON tour 2025," which began in March, consisted of 11 one-man shows in 9 locations throughout Japan. It was obvious from looking at the moon that the moonsalt kicks released by the four members of Forlimi, who were bathed in the power of the moon, exploded in every corner of the country. The final show of the tour was held in Nagoya, the hometown that Forlimi loves so much. The final leg of the tour was held over two days at Zepp Nagoya, which can be said to be their home away from home. Upon arrival at the venue, the first thing that jumped out at you was the large full moon shining on the stage. I had seen the moon many times on social media during this tour, but when I saw it in person, I was amazed at its power. Tonight, I will see Forlimi at a live house where I can see the moon. Is there such a romantic thing? What we, guided by the light of the moon, are watching on this tour is a moonlight legend that will surely be told later. As we wait for the show to start, the background music (apparently selected by the members) related to the moon plays one after another at the venue. The moon was amazing because it filled me with power just by listening to the background music. And there was a big full moon in front of me. If I looked directly at it, I would turn into a werewolf or a great monkey.

On the second day of the tour final in Nagoya, GEN's shout of "More love! The moment the sound stopped, GEN shouted "More love! Did you know, Moon, that they would start with "mottö"? Last night's Nagoya show on the first day, which started with "magnet," was quite emotional in its own way, but the beginning of "mottö" was a foul play. Because this is just hope. The colorful dreams we see at night are our future. GEN asked me many times during these two days, "Can we go? GEN had asked many times in the past two days, "Can we go? We've heard the sound of Forimi opening the door many times, and each time we've flown high over it. The moment you hear "climb" live, you feel like you can go anywhere. Now here, No where" and "Kick it" follow. I know life is not easy. But, however, anything can be kicked off if it's up to me and up to you. After all, the moon and music are on my side today.

When "Jumper" starts with KOUHEI's drumming, the past few years come to mind. As the song "Knife" with RYU-TA's muddy voice piercing through, and "fiction" and "Yunagi" with HIROKAZ's riffs, my mind wanders back to the days I have spent with the band. During the live, not only the full moon on the stage but also the 8 round lights that I had been wondering about, which GEN said were "water, gold, earth, fire, wood, earth, sea". So, we should light up Forimi as Pluto. GEN casually said, "The moon is beautiful tonight. During the MC, he sang Nagoya's commercial song as usual, but was he trying to hide his embarrassment? Is that a cover for embarrassment? As they sang "in out," "Any," and "happiness," I remembered that "happiness" was a tie-up song with a Nagoya-based company, Menicon. Everyone at the Shirakaba Resort Ikenodaira Hotel! Hello, everyone from "Aoyagi-Uiro"! Forimi sings the commercial song at every live performance! Please, deliver this to the PR person.

I remember "Night on" when we moved our activities from Nagoya to Tokyo, and "Grasshopper" the night before that, when we sang at a small live house in Nagoya, and I remember Forlimi when we lived in Nagoya. Looking back, I am glad to see that nothing has really changed for the four of us, even though we have come so deep into the story. Of course, we are constantly evolving, and some things have changed. But I believe that we have changed in order to stay the same. GATE" is the image of going forward, and the journey to find "Utopia" will continue endlessly. Look at the floor. Everyone here is a fellow traveler that Forimi has met. GEN looked around the floor and said happily, "There are quite a few senior members who have come to the concert. GEN looked around the floor and said happily, "There are quite a few senior people coming to the show. GEN asked, "How old are you? I'm still playing at live houses. Fifty-seven! I'm 60! I'm 73 years old! And then, "73 years old! You're a great guy, aren't you? I'm sorry to have missed you. His too-big back makes me excited about the future, knowing that I can still play for another 30 years. And then, "Password" was a great sound. I want to be thrilled all the time, and I want to keep watching. I will never blame it on my age. I imagine myself at 73 years old while listening to "milk" and "imaginary," and smile, "I've never learned my lesson. I want to keep seeing this happiness. But I'm sure I'll be fine. I don't have anything to worry about," "Harvest" gently embraces me. After "Squall," a big rainbow appears over Zepp Nagoya, and as I cross the rainbow and feel the parting and meeting in "magnet," I vow to the moon that I will never let go of this hand.

Zepp Nagoya was in a happy mood as the audience celebrated the birth of KOUHEI during the encore, and the floor was filled with excitement when it was announced that "YON EXPO '25" would be held on November 8 (Sat.) and 9 (Sun.). The venue is TOYOTA ARENA TOKYO, not Toyota, so it will be held in Tokyo, not Aichi. It was too good to have our Expo '04 "YON EXPO '25" in the year of the Expo. The full moon on the stage was shining brightly as they unleashed their special moves, "Buster call," "swim," and "Give me," in such excitement. The moon's power to accelerate the overwhelming live performance of Forlimi was amazing. I am sure that Forlimi, who delivered their music on behalf of the moon, must have been shining brightly throughout the tour. Just like the moon tonight watching over us on stage.

Text by Junji Shibayama
Photo by Yaotakeshi